MONACO

This transcription starts in B minor.

The estimated tempo is 70 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include Bm → Em → Bm → Em (25 occurrences); Bmmaj7 → Em → Bmmaj7 → Em (2 occurrences); Em7 → A7 → Dmaj7 → G (2 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: i → iv → i → iv in B minor; imaj7 → iv → imaj7 → iv in B minor; iv7 → VII7 → IIImaj7 → VI in B minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In B minor: The minor circle-of-fifths progression (iv → VII → III → VI → ii° → V → i) shows up in the interlude at 1:57 and the outro at 4:03. Each chord hands off to the next, giving this long minor-key journey a strong sense of direction.

The transcription starts in 4/4. Later meter changes are detected at 1:57 (5/8); 1:59 (4/4); 2:13 (2/4).

The detected sections are intro (0:00) → verse (0:34) → chorus (1:29) → interlude (1:57) → verse (2:13) → chorus (2:27) → verse (3:22) → chorus (3:36) → outro (4:03).

The transcribed version lasts 4:27. Other recordings or edits may have a different duration.