Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in G major. Later key changes are detected at 2:48 (A major).
The estimated tempo is 120 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include D → Gmaj/3 → C → Dsus4 (4 occurrences); C → G → C → G (3 occurrences); C → G → C → D (2 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: V → I/3 → IV → Vsus4 in G major; IV → I → IV → I in G major; IV → I → IV → V in G major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In G major: The doo-wop progression (vi → IV → V → I) shows up in the verse at 0:18 and the chorus at 0:40. That old-school slow-dance sound, with a gentle detour through minor before heading home. The hopscotch progression (I → IV → V → vi) shows up in the verse at 0:14 and the chorus at 0:44. Three rising chord roots give this loop a lift before it hops back around. The three-chord I–IV–V progression (IV → V → I) shows up in the verse at 0:26 and the chorus at 0:50. Three chords, plenty of mileage: home, a lift away, and the pull to come back. In A major: The hopscotch progression (V → vi → I → IV) shows up in the chorus at 2:54. The three-chord I–IV–V progression (I → IV → V) shows up in the chorus at 2:58.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:08) → chorus (0:40) → interlude (1:12) → verse (1:20) → chorus (1:52) → bridge (2:28) → chorus (2:48) → outro (3:20).
The transcribed version lasts 3:50. Other recordings or edits may have a different duration.