This Is What You Came For

This transcription starts in A minor.

The estimated tempo is 125 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include Fmaj7 → G → Am7 → Fmaj7 (8 occurrences); G → Am7 → Fmaj7 → G (8 occurrences); Am7 → Fmaj7 → G → Am7 (8 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: VImaj7 → VII → i7 → VImaj7 in A minor; VII → i7 → VImaj7 → VII in A minor; i7 → VImaj7 → VII → i7 in A minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In A minor: The Aeolian cadence (VI → VII → i) shows up in the chorus at 0:30 and 0:38. Two rising major chords lead back into minor, balancing a little lift with a darker landing.

The transcription starts in 4/4.

The detected sections are verse (0:00) → chorus (0:30) → verse (1:17) → chorus (1:48) → bridge (2:34) → chorus (3:05).

The transcribed version lasts 3:42. Other recordings or edits may have a different duration.