![Come On Over Baby (All I Want Is You) [Radio Version] artwork](/artwork/4800fd93177c92a5b0cbf94d7b815b3b5b1c90a1ddb40bf97c213cd6213cb3b8.jpg)
Come On Over Baby (All I Want Is You) [Radio Version]
Rhodes melody, piano & acoustic guitar.
![Come On Over Baby (All I Want Is You) [Radio Version] artwork](/artwork/4800fd93177c92a5b0cbf94d7b815b3b5b1c90a1ddb40bf97c213cd6213cb3b8.jpg)
Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in E♭ major.
The estimated tempo is 120 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include Cm → E♭ → F7 → G♭ (9 occurrences); E♭ → F7 → G♭ → Gm (9 occurrences); F7 → G♭ → Gm → Cm (7 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: vi → I → II7 → ♭III in E♭ major; I → II7 → ♭III → iii in E♭ major; II7 → ♭III → iii → vi in E♭ major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In E♭ major: The three-chord I–IV–V progression (IV → V → I) shows up in the intro at 0:02 and 0:06. Three chords, plenty of mileage: home, a lift away, and the pull to come back. The Puff progression (I → iii → IV) shows up in the intro at 0:00 and 0:04. The move through iii puts a gentle minor shade between two bright major chords.
The transcription starts in 4/4. Later meter changes are detected at 2:43 (3/8); 2:43 (4/4).
The detected sections are intro (0:00) → verse (0:16) → pre-chorus (0:32) → chorus (0:48) → verse (1:12) → pre-chorus (1:28) → chorus (1:45) → bridge (2:09) → chorus (2:47).
The transcribed version lasts 3:23. Other recordings or edits may have a different duration.