It’s Not Over

This transcription starts in B♭ minor.

The estimated tempo is 73 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include G♭ → A♭ → B♭m → A♭ (10 occurrences); B♭m → A♭maj6 → G♭maj7 → A♭maj6 (9 occurrences); B♭m → A♭ → G♭ → F (5 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: VI → VII → i → VII in B♭ minor; i → VIImaj6 → VImaj7 → VIImaj6 in B♭ minor; i → VII → VI → V in B♭ minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In B♭ minor: The descending minor / lament progression (i → VII → VI → V) shows up in the chorus at 0:49 and 1:58. A descending staircase of chords, with the last step pulling hard back toward the start. The hopscotch progression (VI → VII → i → III) shows up in the verse at 0:23 and the chorus at 1:48. Three rising chord roots give this loop a lift before it hops back around. The Aeolian cadence (VI → VII → i) shows up in the verse at 0:03 and 0:10. Two rising major chords lead back into minor, balancing a little lift with a darker landing. The minor subtonic shuttle (i → VII) shows up in the verse at 0:00 and the interlude at 0:56. A minor chord and the major chord just below it keep the loop circling rather than settling.

The transcription starts in 1/8. Later meter changes are detected at 0:00 (2/4).

The detected sections are verse (0:00) → chorus (0:33) → interlude (0:56) → verse (1:02) → pre-chorus (1:29) → chorus (1:42) → interlude (2:07) → bridge (2:20) → chorus (2:31) → outro (3:17).

The transcribed version lasts 3:35. Other recordings or edits may have a different duration.