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This transcription starts in G♯ minor.

The estimated tempo is 80 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include G♯m → Emaj7 → G♯m → Emaj7 (6 occurrences); G♯m → Emaj7 → F♯ → B (6 occurrences); Emaj7 → F♯ → B → F♯maj/3 (6 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: i → VImaj7 → i → VImaj7 in G♯ minor; i → VImaj7 → VII → III in G♯ minor; VImaj7 → VII → III → VII/3 in G♯ minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In G♯ minor: The minor four-chord pop progression (III → VII → i → VI) shows up in the verse at 0:40 and 0:46. The familiar pop loop with its moodier chord in the spotlight. The Aeolian shuttle (i → VI) shows up in the intro at 0:11 and 0:14. A minor home chord and its major VI trade places in a gentle light-and-shadow loop.

The transcription starts in 7/8. Later meter changes are detected at 0:02 (4/4).

The detected sections are intro (0:00) → verse (0:35) → chorus (1:29) → interlude (1:53) → verse (2:17) → chorus (2:41).

The transcribed version lasts 3:37. Other recordings or edits may have a different duration.