青花瓷 (Blue and White Porcelain)

This transcription starts in A major. Later key changes are detected at 3:03 (B♭ major).

The estimated tempo is 107 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include D → E7/b7 → C♯m7 → F♯m7 (4 occurrences); E7/b7 → C♯m7 → F♯m7 → Bm7 (4 occurrences); C♯m7 → F♯m7 → Bm7 → Esus4(b7) (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: IV → V7/b7 → iii7 → vi7 in A major; V7/b7 → iii7 → vi7 → ii7 in A major; iii7 → vi7 → ii7 → Vsus4(b7) in A major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In A major: The doo-wop progression (I → vi → IV → V) shows up in the verse at 0:23 and 0:47. That old-school slow-dance sound, with a gentle detour through minor before heading home. The I–vi–ii–V turnaround / circle-of-fifths progression (vi → ii → V → I) shows up in the verse at 2:16. A round trip through related chords, with the dominant setting up the return home. The Royal Road progression (iii → vi → IV → V) shows up in the verse at 0:45 and the chorus at 0:58. A bittersweet J-pop favorite that keeps moving without landing on the major home chord. The three-chord I–IV–V progression (IV → V → I) shows up in the verse at 0:32 and the chorus at 1:12. Three chords, plenty of mileage: home, a lift away, and the pull to come back. In B♭ major: The I–vi–ii–V turnaround / circle-of-fifths progression (vi → ii → V → I) shows up in the chorus at 3:09. The Royal Road progression (IV → V → iii → vi) shows up in the chorus at 3:03 and 3:20. The three-chord I–IV–V progression (V → I → IV) shows up in the chorus at 3:14.

The transcription starts in 4/4.

The detected sections are intro (0:00) → verse (0:23) → chorus (0:58) → interlude (1:34) → verse (1:52) → chorus (2:27) → outro (3:34).

The transcribed version lasts 4:03. Other recordings or edits may have a different duration.