What Goes Around.../...Comes Around (Interlude)

This transcription starts in A minor.

The estimated tempo is 76 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include Am → C → G → D (43 occurrences); D7 → Em → Cmaj7 → D7 (8 occurrences); Em → Cmaj7 → D7 → Em (8 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: i → III → VII → IV in A minor; IV7 → v → IIImaj7 → IV7 in A minor; v → IIImaj7 → IV7 → v in A minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In A minor: The Dorian shuttle (IV → i) shows up in the intro at 0:11 and 0:17. A minor chord rocks against a major IV: moody, but with a bright edge.

The transcription starts in 2/4.

The detected sections are intro (0:00) → verse (0:31) → pre-chorus (0:56) → chorus (1:09) → verse (2:00) → pre-chorus (2:25) → chorus (2:38) → bridge (3:28) → chorus (4:06) → interlude (4:57) → verse (5:34) → chorus (6:12) → outro (6:38).

The transcribed version lasts 7:28. Other recordings or edits may have a different duration.