Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in B major.
The estimated tempo is 133 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include C♯m7 → F♯ → Bmaj7 → Emaj7 (15 occurrences); C♯m7 → F♯ → Bmaj7 → G♯7/3 (8 occurrences); Bmaj7 → Emaj7 → C♯m7 → D♯7 (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: ii7 → V → Imaj7 → IVmaj7 in B major; ii7 → V → Imaj7 → VI7/3 in B major; Imaj7 → IVmaj7 → ii7 → III7 in B major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In B major: The I–vi–ii–V turnaround / circle-of-fifths progression (vi → ii → V → I) shows up in the verse at 0:25 and 1:22. A round trip through related chords, with the dominant setting up the return home. The ii–V–I progression (ii → V → I) shows up in the intro at 0:00 and the verse at 0:14. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the intro at 0:02 and the verse at 0:16. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The song starts in 4/4, with a short partial bar at the beginning.
The detected sections are intro (0:00) → verse (0:14) → chorus (0:43) → verse (1:11) → chorus (1:40) → bridge (2:09) → chorus (2:37) → outro (3:35).
The transcribed version lasts 4:03. Other recordings or edits may have a different duration.