
Rhodes melody, piano & acoustic guitar.

Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in A major.
The estimated tempo is 146 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include F♯m → D → E → A (8 occurrences); A → D → A → C♯m (7 occurrences); D → A → C♯m → F♯m (7 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: vi → IV → V → I in A major; I → IV → I → iii in A major; IV → I → iii → vi in A major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In A major: The doo-wop progression (vi → IV → V → I) shows up in the verse at 0:22 and the chorus at 0:41. That old-school slow-dance sound, with a gentle detour through minor before heading home. The I–vi–ii–V turnaround / circle-of-fifths progression (V → I → vi → ii) shows up in the chorus at 0:53 and 1:48. A round trip through related chords, with the dominant setting up the return home. The Royal Road progression (iii → vi → IV → V) shows up in the intro at 0:07 and the verse at 0:20. A bittersweet J-pop favorite that keeps moving without landing on the major home chord. The three-chord I–IV–V progression (IV → V → I) shows up in the chorus at 0:45 and 1:39. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:13) → chorus (0:41) → verse (1:08) → chorus (1:36) → verse (2:03) → interlude (2:16) → chorus (2:32).
The transcribed version lasts 3:31. Other recordings or edits may have a different duration.