All or Nothing

This transcription starts in C major. Later key changes are detected at 3:24 (D major).

The estimated tempo is 64 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include C → Gmaj/3 → Am7 → G (6 occurrences); Gmaj/3 → Am7 → G → F (6 occurrences); Am7 → G → F → Fmaj/2 (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: I → V/3 → vi7 → V in C major; V/3 → vi7 → V → IV in C major; vi7 → V → IV → IV/2 in C major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In C major: The doo-wop progression (V → I → vi → IV) shows up in the verse at 0:28 and 1:50.

The transcription starts in 4/4.

The detected sections are intro (0:00) → verse (0:15) → pre-chorus (0:45) → chorus (1:00) → verse (1:38) → pre-chorus (2:08) → chorus (2:24) → bridge (2:54) → chorus (3:24) → outro (4:24).

The transcribed version lasts 4:41. Other recordings or edits may have a different duration.