Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in G♭ major.
The estimated tempo is 82 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include G♭maj/3 → D♭ → E♭m → C♭ (13 occurrences); D♭ → E♭m → C♭ → D♭ (13 occurrences); G♭ → A♭m → G♭maj/3 → D♭ (12 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I/3 → V → vi → IV in G♭ major; V → vi → IV → V in G♭ major; I → ii → I/3 → V in G♭ major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In G♭ major: The four-chord pop progression (I → V → vi → IV) shows up in the chorus at 0:55 and 1:07. The big singalong loop: a little lift, a little heartache, and an easy way back home. The doo-wop progression (vi → IV → V → I) shows up in the chorus at 0:59 and 2:09. That old-school slow-dance sound, with a gentle detour through minor before heading home. The hopscotch progression (I → IV → V → vi) shows up in the verse at 0:31 and 1:35. Three rising chord roots give this loop a lift before it hops back around. The three-chord I–IV–V progression (V → I → IV) shows up in the verse at 0:30 and 0:42. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:24) → chorus (0:53) → interlude (1:16) → verse (1:28) → pre-chorus (1:51) → chorus (2:03) → interlude (2:26) → verse (2:49) → chorus (3:07) → outro (3:53).
The transcribed version lasts 4:47. Other recordings or edits may have a different duration.