
Rhodes melody, piano & acoustic guitar.

Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in G major.
The estimated tempo is 85 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include Am7 → D → C → D (4 occurrences); Am7 → D → Am7 → D (3 occurrences); G → Em7 → Am7 → D (3 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: ii7 → V → IV → V in G major; ii7 → V → ii7 → V in G major; I → vi7 → ii7 → V in G major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In G major: The I–vi–ii–V turnaround / circle-of-fifths progression (I → vi → ii → V) shows up in the chorus at 1:01 and 1:12. A round trip through related chords, with the dominant setting up the return home. The ii–V–I progression (ii → V → I) shows up in the chorus at 1:07 and 2:38. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (IV → V → I) shows up in the chorus at 1:24 and 2:55. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The transcription starts in 5/8. Later meter changes are detected at 0:01 (4/4).
The detected sections are intro (0:00) → verse (0:13) → chorus (1:01) → interlude (2:09) → chorus (2:32) → outro (3:15).
The transcribed version lasts 3:39. Other recordings or edits may have a different duration.