Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in G major.
The estimated tempo is 90 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include G → C → Am → D (14 occurrences); Em → C → D → Em (8 occurrences); C → D → Em → C (8 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I → IV → ii → V in G major; vi → IV → V → vi in G major; IV → V → vi → IV in G major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In G major: The four-chord pop progression (V → vi → IV → I) shows up in the chorus at 3:05 and 3:16. The big singalong loop: a little lift, a little heartache, and an easy way back home. The doo-wop progression (vi → IV → V → I) shows up in the interlude at 2:13 and the chorus at 3:10. That old-school slow-dance sound, with a gentle detour through minor before heading home. The ii–V–I progression (ii → V → I) shows up in the verse at 0:02 and 0:08. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the verse at 0:04 and 0:09. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The song starts in 4/4, with a short partial bar at the beginning.
The detected sections are verse (0:00) → chorus (0:48) → verse (1:09) → chorus (1:36) → interlude (1:57) → verse (2:29) → chorus (3:01) → outro (3:33).
The transcribed version lasts 3:59. Other recordings or edits may have a different duration.