Two Is Better Than One

This transcription starts in C major.

The estimated tempo is 64 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include F → G → F → G (5 occurrences); G → F → G → Am (4 occurrences); C → Am7 → F → G (3 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: IV → V → IV → V in C major; V → IV → V → vi in C major; I → vi7 → IV → V in C major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In C major: The doo-wop progression (I → vi → IV → V) shows up in the verse at 0:00 and 0:15. That old-school slow-dance sound, with a gentle detour through minor before heading home. The three-chord I–IV–V progression (IV → V → I) shows up in the verse at 0:11 and 0:26. Three chords, plenty of mileage: home, a lift away, and the pull to come back.

The transcription starts in 2/4.

The detected sections are verse (0:00) → chorus (0:33) → verse (1:11) → chorus (1:41) → interlude (2:15) → verse (2:30) → chorus (2:41) → outro (3:45).

The transcribed version lasts 4:02. Other recordings or edits may have a different duration.