We Don’t Talk Anymore

This transcription starts in C♯ minor.

The estimated tempo is 100 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include A → B → C♯m → G♯m (8 occurrences); A → B → C♯m → G♯m7 (6 occurrences); B → C♯m → G♯m7 → Amaj7 (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: VI → VII → i → v in C♯ minor; VI → VII → i → v7 in C♯ minor; VII → i → v7 → VImaj7 in C♯ minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In C♯ minor: The Aeolian cadence (VI → VII → i) shows up in the chorus at 0:01 and 0:11. Two rising major chords lead back into minor, balancing a little lift with a darker landing.

The transcription starts in 4/4.

The detected sections are chorus (0:00) → verse (0:21) → pre-chorus (0:40) → chorus (0:59) → verse (1:18) → pre-chorus (1:37) → chorus (1:57) → interlude (2:16) → bridge (2:35) → chorus (2:54).

The transcribed version lasts 3:37. Other recordings or edits may have a different duration.