Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in E major.
The estimated tempo is 130 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include E → C♯m → F♯m7 → B (5 occurrences); B → A → B → E (5 occurrences); E → C♯m → A → B (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I → vi → ii7 → V in E major; V → IV → V → I in E major; I → vi → IV → V in E major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In E major: The four-chord pop progression (V → vi → IV → I) shows up in the verse at 0:29 and 1:41. The big singalong loop: a little lift, a little heartache, and an easy way back home. The doo-wop progression (I → vi → IV → V) shows up in the intro at 0:00 and 0:07. That old-school slow-dance sound, with a gentle detour through minor before heading home. The I–vi–ii–V turnaround / circle-of-fifths progression (I → vi → ii → V) shows up in the verse at 0:24 and the chorus at 0:48. A round trip through related chords, with the dominant setting up the return home. The ii–V–I progression (ii → V → I) shows up in the chorus at 0:53 and 2:05. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:17) → chorus (0:46) → interlude (1:11) → verse (1:28) → chorus (1:57) → outro (3:11).
The transcribed version lasts 3:36. Other recordings or edits may have a different duration.