Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in G major.
The estimated tempo is 128 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include Am7 → Dmaj/3 → G → Dmaj/3 (7 occurrences); Dmaj/3 → G → Dmaj/3 → Em7 (7 occurrences); G → Dmaj/3 → Em7 → Am7 (7 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: ii7 → V/3 → I → V/3 in G major; V/3 → I → V/3 → vi7 in G major; I → V/3 → vi7 → ii7 in G major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In G major: The I–vi–ii–V turnaround / circle-of-fifths progression (vi → ii → V → I) shows up in the chorus at 0:45 and 0:56. A round trip through related chords, with the dominant setting up the return home. The ii–V–I progression (ii → V → I) shows up in the chorus at 0:36 and 1:35. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the chorus at 1:02 and 2:01. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The transcription starts in 6/8.
The detected sections are intro (0:00) → verse (0:11) → chorus (0:36) → verse (1:10) → chorus (1:35) → interlude (2:09) → bridge (2:20) → chorus (2:43) → outro (3:16).
The transcribed version lasts 3:34. Other recordings or edits may have a different duration.