100 Years

This transcription starts in G major.

The estimated tempo is 120 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include Gmaj/3 → Em → Am7 → Dsus4 (6 occurrences); G → D → Cmaj6 → G (5 occurrences); D → Cmaj6 → G → D (5 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: I/3 → vi → ii7 → Vsus4 in G major; I → V → IVmaj6 → I in G major; V → IVmaj6 → I → V in G major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In G major: The four-chord pop progression (I → V → vi → IV) shows up in the interlude at 3:11 and 3:19. The big singalong loop: a little lift, a little heartache, and an easy way back home. The I–vi–ii–V turnaround / circle-of-fifths progression (I → vi → ii → V) shows up in the intro at 0:08 and the verse at 0:24. A round trip through related chords, with the dominant setting up the return home. The ii–V–I progression (ii → V → I) shows up in the verse at 0:28 and 1:28. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the verse at 0:30 and the interlude at 1:11. Three chords, plenty of mileage: home, a lift away, and the pull to come back.

The transcription starts in 4/4.

The detected sections are intro (0:00) → verse (0:16) → chorus (0:48) → interlude (1:08) → verse (1:16) → chorus (1:48) → bridge (2:19) → verse (2:39) → chorus (2:55) → interlude (3:11) → chorus (3:27) → outro (3:47).

The transcribed version lasts 4:04. Other recordings or edits may have a different duration.