
Rhodes melody, piano & acoustic guitar.

Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in G major.
The estimated tempo is 118 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include Am7 → D7 → Am7 → D7 (6 occurrences); D7 → Am7 → D7 → G (6 occurrences); G → Am7 → D7 → Am7 (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I → ii7 → V7 → ii7 in G major; ii7 → V7 → ii7 → V7 in G major; V7 → ii7 → V7 → I in G major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In G major: The four-chord pop progression (I → V → vi → IV) shows up in the chorus at 1:36 and 2:37. The big singalong loop: a little lift, a little heartache, and an easy way back home. The doo-wop progression (vi → IV → V → I) shows up in the chorus at 1:38 and 2:39. That old-school slow-dance sound, with a gentle detour through minor before heading home. The ii–V–I progression (ii → V → I) shows up in the intro at 0:12 and 0:29. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the verse at 1:02 and the chorus at 1:15. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:51) → chorus (1:15) → verse (1:52) → chorus (2:16) → outro (3:05).
The transcribed version lasts 3:29. Other recordings or edits may have a different duration.