Don’t Mind

This transcription starts in A♭ major.

The estimated tempo is 79 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include A♭maj7 → Fm7 → B♭m7 → E♭7 (28 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: Imaj7 → vi7 → ii7 → V7 in A♭ major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In A♭ major: The I–vi–ii–V turnaround / circle-of-fifths progression (I → vi → ii → V) shows up in the intro at 0:00 and 0:06. A round trip through related chords, with the dominant setting up the return home. The ii–V–I progression (ii → V → I) shows up in the intro at 0:03 and the verse at 0:15. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve.

The song starts in 2/4, with a short partial bar at the beginning.

The detected sections are intro (0:00) → verse (0:12) → chorus (0:24) → verse (0:48) → chorus (1:12) → verse (1:48) → pre-chorus (2:13) → chorus (2:25).

The transcribed version lasts 3:18. Other recordings or edits may have a different duration.