Bloody Mary

This transcription starts in A minor.

The estimated tempo is 100 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include F → G → Am → G (8 occurrences); G → Am → G → Em (8 occurrences); Em → F → G → Am (6 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: VI → VII → i → VII in A minor; VII → i → VII → v in A minor; v → VI → VII → i in A minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In A minor: The minor Puff progression (i → III → iv) shows up in the pre-chorus at 0:43 and 1:50. A brief flash of relative major brightens the path from i to iv. The Aeolian cadence (VI → VII → i) shows up in the verse at 0:22 and 0:32. Two rising major chords lead back into minor, balancing a little lift with a darker landing.

The song starts in 4/4, with a short partial bar at the beginning.

The detected sections are intro (0:00) → verse (0:19) → pre-chorus (0:38) → chorus (0:57) → interlude (1:16) → verse (1:26) → pre-chorus (1:45) → chorus (2:04) → interlude (2:24) → bridge (2:53) → chorus (3:12) → outro (3:50).

The transcribed version lasts 4:04. Other recordings or edits may have a different duration.