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This transcription starts in F minor.

The estimated tempo is 100 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include A♭ → D♭maj7 → E♭ → Fm (43 occurrences); D♭maj7 → E♭ → Fm → E♭maj/3 (12 occurrences); E♭ → Fm → E♭maj/3 → A♭ (12 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: III → VImaj7 → VII → i in F minor; VImaj7 → VII → i → VII/3 in F minor; VII → i → VII/3 → III in F minor. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In F minor: The hopscotch progression (VI → VII → i → III) shows up in the intro at 0:00 and 0:04. Three rising chord roots give this loop a lift before it hops back around. The Aeolian cadence (VI → VII → i) shows up in the intro at 0:14 and the chorus at 0:33. Two rising major chords lead back into minor, balancing a little lift with a darker landing.

The transcription starts in 4/4.

The detected sections are intro (0:00) → chorus (0:19) → verse (0:57) → chorus (1:16) → verse (1:55) → chorus (2:33) → outro (3:12).

The transcribed version lasts 4:10. Other recordings or edits may have a different duration.