Rhodes melody, piano & acoustic guitar.
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in D♭ major. Later key changes are detected at 2:15 (E♭ major).
The estimated tempo is 122 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include D♭ → G♭maj7 → E♭m7 → B♭m7 (5 occurrences); G♭maj7 → E♭m7 → B♭m7 → A♭ (5 occurrences); A♭ → D♭ → G♭maj7 → E♭m7 (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I → IVmaj7 → ii7 → vi7 in D♭ major; IVmaj7 → ii7 → vi7 → V in D♭ major; V → I → IVmaj7 → ii7 in D♭ major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In D♭ major: The hopscotch progression (I → IV → V → vi) shows up in the chorus at 0:49 and 0:57. Three rising chord roots give this loop a lift before it hops back around. The three-chord I–IV–V progression (V → I → IV) shows up in the intro at 0:07 and the verse at 0:23. Three chords, plenty of mileage: home, a lift away, and the pull to come back. In E♭ major: The hopscotch progression (I → IV → V → vi) shows up in the interlude at 2:17 and 2:25. The three-chord I–IV–V progression (IV → V → I) shows up in the interlude at 2:15 and the bridge at 2:41.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:16) → pre-chorus (0:31) → chorus (0:47) → verse (1:11) → pre-chorus (1:26) → chorus (1:42) → bridge (1:58) → interlude (2:15) → bridge (2:31) → chorus (3:06) → outro (3:22).
The transcribed version lasts 4:04. Other recordings or edits may have a different duration.