
Rhodes melody, piano & acoustic guitar.

Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in D major.
The estimated tempo is 90 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include Em7 → G → A → Bm7 (6 occurrences); A → D → G → Em7 (5 occurrences); G → A → Bm7 → Dmaj7 (5 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: ii7 → IV → V → vi7 in D major; ii7 → V → I → IV in D major; IV → V → vi7 → Imaj7 in D major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In D major: The four-chord pop progression (V → vi → IV → I) shows up in the chorus at 0:44 and 1:38. The big singalong loop: a little lift, a little heartache, and an easy way back home. The hopscotch progression (IV → V → vi → I) shows up in the chorus at 0:32 and 1:26. Three rising chord roots give this loop a lift before it hops back around. The ii–V–I progression (ii → V → I) shows up in the intro at 0:00 and the verse at 0:11. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the intro at 0:01 and the verse at 0:12. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The song starts in 4/4, with a short partial bar at the beginning.
The detected sections are intro (0:00) → verse (0:11) → chorus (0:32) → verse (0:53) → chorus (1:26) → bridge (2:09) → chorus (2:41) → outro (3:02).
The transcribed version lasts 3:13. Other recordings or edits may have a different duration.