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This transcription starts in B♭ major.

The estimated tempo is 72 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include Gm → E♭maj7 → B♭ → F (4 occurrences); E♭maj7 → B♭ → E♭maj7 → B♭ (2 occurrences); B♭ → E♭maj7 → B♭ → Gm (2 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: vi → IVmaj7 → I → V in B♭ major; IVmaj7 → I → IVmaj7 → I in B♭ major; I → IVmaj7 → I → vi in B♭ major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In B♭ major: The four-chord pop progression (vi → IV → I → V) shows up in the chorus at 2:24 and 2:37. The big singalong loop: a little lift, a little heartache, and an easy way back home. The ii–V–I progression (ii → V → I) shows up in the chorus at 1:21 and 2:17. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the chorus at 1:15 and 2:12. Three chords, plenty of mileage: home, a lift away, and the pull to come back.

The transcription starts in 3/8. Later meter changes are detected at 0:01 (2/4).

The detected sections are intro (0:00) → verse (0:07) → chorus (0:54) → verse (1:27) → chorus (1:51) → outro (3:17).

The transcribed version lasts 4:02. Other recordings or edits may have a different duration.