stupid song

This transcription starts in B major.

The estimated tempo is 128 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include B → E → C♯m7 → F♯7 (3 occurrences); B → Esus2 → B → Esus2 (2 occurrences); G♯m7 → E → C♯m7 → F♯7 (2 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: I → IV → ii7 → V7 in B major; I → IVsus2 → I → IVsus2 in B major; I → IV → I → IV in B major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In B major: The ii–V–I progression (ii → V → I) shows up in the chorus at 0:45 and 1:49. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (V → I → IV) shows up in the chorus at 0:49 and 1:53. Three chords, plenty of mileage: home, a lift away, and the pull to come back.

The transcription starts in 4/4.

The detected sections are intro (0:00) → verse (0:08) → chorus (0:38) → verse (1:12) → chorus (1:42) → bridge (2:16) → interlude (2:38) → chorus (2:53).

The transcribed version lasts 3:28. Other recordings or edits may have a different duration.