Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in F major.
The estimated tempo is 122 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include C → Dm → Cmaj/3 → F (7 occurrences); Gm → Fmaj/3 → B♭sus2 → C (5 occurrences); Fmaj/3 → B♭sus2 → C → Dm (5 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: V → vi → V/3 → I in F major; ii → I/3 → IVsus2 → V in F major; I/3 → IVsus2 → V → vi in F major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In F major: The four-chord pop progression (IV → I → V → vi) shows up in the bridge at 2:48 and 2:56. The big singalong loop: a little lift, a little heartache, and an easy way back home. The hopscotch progression (I → IV → V → vi) shows up in the intro at 0:02 and the verse at 0:09. Three rising chord roots give this loop a lift before it hops back around. The ii–V–I progression (ii → V → I) shows up in the chorus at 0:55 and 1:02. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (I → IV → V) shows up in the pre-chorus at 0:41 and the chorus at 0:57. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:08) → pre-chorus (0:39) → chorus (0:55) → interlude (1:22) → verse (1:30) → pre-chorus (2:01) → chorus (2:17) → bridge (2:44) → chorus (3:09) → outro (3:56).
The transcribed version lasts 4:18. Other recordings or edits may have a different duration.