
Rhodes melody, piano & acoustic guitar.

Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in G♭ major.
The estimated tempo is 86 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include G♭ → E♭m → C♭ → D♭ (4 occurrences); C♭ → D♭ → G♭ → A♭sus4(b7) (4 occurrences); G♭ → C♭ → G♭ → C♭ (4 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I → IIsus4(b7) → IV → V in G♭ major; I → vi → IV → V in G♭ major; I → IV → I → IV in G♭ major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In G♭ major: The doo-wop progression (IV → V → I → vi) shows up in the intro at 0:06 and 0:17. That old-school slow-dance sound, with a gentle detour through minor before heading home. The hopscotch progression (IV → V → vi → I) shows up in the pre-chorus at 1:01 and 2:08. Three rising chord roots give this loop a lift before it hops back around. The three-chord I–IV–V progression (I → IV → V) shows up in the intro at 0:00 and the verse at 0:33. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The song starts in 4/4, with a short partial bar at the beginning.
The detected sections are intro (0:00) → verse (0:33) → pre-chorus (0:53) → chorus (1:10) → interlude (1:29) → verse (1:40) → pre-chorus (2:00) → chorus (2:17) → interlude (2:36) → verse (2:59) → chorus (3:18) → outro (4:14).
The transcribed version lasts 4:43. Other recordings or edits may have a different duration.