No One Noticed

This transcription starts in G major.

The estimated tempo is 98 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include Am7 → D7 → Gmaj7 → G7 (5 occurrences); Am7 → D7 → Gmaj7 → G (2 occurrences); Am7 → D7 → Gmaj7 → Am7 (2 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: ii7 → V7 → Imaj7 → I7 in G major; ii7 → V7 → Imaj7 → I in G major; ii7 → V7 → Imaj7 → ii7 in G major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In G major: The ii–V–I progression (ii → V → I) shows up in the verse at 0:01 and 0:21. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve.

The transcription starts in 4/4.

The detected sections are verse (0:00) → interlude (0:40) → verse (1:00) → chorus (1:39) → outro (2:58).

The transcribed version lasts 3:56. Other recordings or edits may have a different duration.