After All The Bars Are Closed

This transcription starts in E major.

The estimated tempo is 105 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.

Recurring four-chord sequences in this transcription include C♯m → A → E → C♯m (17 occurrences); A → E → C♯m → A (17 occurrences); E → C♯m → A → E (11 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.

Here are a few patterns to play with: vi → IV → I → vi in E major; IV → I → vi → IV in E major; I → vi → IV → I in E major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.

Yes! In E major: The four-chord pop progression (V → vi → IV → I) shows up in the chorus at 0:18 and the verse at 0:43. The big singalong loop: a little lift, a little heartache, and an easy way back home. The doo-wop progression (I → vi → IV → V) shows up in the chorus at 0:13 and 0:31. That old-school slow-dance sound, with a gentle detour through minor before heading home.

The transcription starts in 4/4. Later meter changes are detected at 0:01 (1/8); 0:02 (4/4).

The detected sections are chorus (0:00) → verse (0:38) → chorus (1:06) → verse (1:42) → chorus (2:00) → outro (2:55).

The transcribed version lasts 3:11. Other recordings or edits may have a different duration.