Rhodes melody, piano & acoustic guitar.
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in B major.
The estimated tempo is 115 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include F♯maj/3 → G♯m7 → Bmaj/5 → E (12 occurrences); G♯m7 → Bmaj/5 → E → Bmaj/3 (12 occurrences); Bmaj/5 → E → Bmaj/3 → C♯m7 (12 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I → V/3 → vi7 → I/5 in B major; V/3 → vi7 → I/5 → IV in B major; vi7 → I/5 → IV → I/3 in B major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In B major: The hopscotch progression (V → vi → I → IV) shows up in the verse at 0:23 and 0:39. Three rising chord roots give this loop a lift before it hops back around. The ii–V–I progression (ii → V → I) shows up in the verse at 0:33 and 2:12. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (IV → V → I) shows up in the chorus at 1:25 and 3:04. Three chords, plenty of mileage: home, a lift away, and the pull to come back.
The transcription starts in 4/4.
The detected sections are intro (0:00) → verse (0:21) → pre-chorus (0:54) → chorus (1:10) → interlude (1:43) → verse (2:00) → pre-chorus (2:33) → chorus (2:50) → bridge (3:23) → chorus (3:39) → outro (4:45).
The transcribed version lasts 5:01. Other recordings or edits may have a different duration.