Rhodes melody, piano & acoustic guitar.
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INTROClick a line to play from there
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Rhodes melody, piano & acoustic guitar.
Answers from our automatic transcription. Key, tempo and chord labels may contain errors.
This transcription starts in E major. Later key changes are detected at 2:26 (G♭ major).
The estimated tempo is 87 BPM, calculated from the median spacing between detected beats. This is a summary of the transcription; timing can vary during the song.
Recurring four-chord sequences in this transcription include E → Bmaj/3 → C♯m → B (5 occurrences); E → Bmaj/3 → C♯m → Emaj/5 (5 occurrences); Bmaj/3 → C♯m → Emaj/5 → A (5 occurrences). These are exact chord-label matches within sections, not a complete harmonic analysis.
Here are a few patterns to play with: I → V/3 → vi → V in E major; I → V/3 → vi → I/5 in E major; V/3 → vi → I/5 → IV in E major. Think of Roman numerals as chord names you can take into any key. Uppercase is major, lowercase is minor; in minor keys, we count from the natural-minor scale.
Yes! In E major: The hopscotch progression (V → vi → I → IV) shows up in the chorus at 0:47 and 0:58. Three rising chord roots give this loop a lift before it hops back around. The ii–V–I progression (ii → V → I) shows up in the chorus at 0:54 and 1:59. Jazz’s trusty route home: set up some tension, turn it up, then let it resolve. The three-chord I–IV–V progression (I → IV → V) shows up in the verse at 0:33 and 1:38. Three chords, plenty of mileage: home, a lift away, and the pull to come back. In G♭ major: The hopscotch progression (V → vi → I → IV) shows up in the chorus at 2:28 and 2:39. The ii–V–I progression (ii → V → I) shows up in the chorus at 2:34 and the outro at 3:05.
The transcription starts in 4/4. Later meter changes are detected at 3:05 (9/8); 3:08 (4/4).
The detected sections are intro (0:00) → verse (0:11) → chorus (0:45) → verse (1:16) → chorus (1:50) → outro (2:51).
The transcribed version lasts 3:20. Other recordings or edits may have a different duration.